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violist | arranger | etc.

Photo Credit: Sarah Bill Photography

About

a violist who enjoys performing solo, chamber, and orchestral works; occasionally teaching; and dabbling in composition through arrangements

Originally from Michigan, Kurt Tseng joined the North Carolina Symphony in 2020 as Associate Principal Viola. He has previously served as Section Viola with the Alabama Symphony Orchestra and Section Viola with the Des Moines Metro Opera.
 
Tseng has participated in many music festivals, including the Tanglewood Music Center, Schleswig-Holstein Musik Festival, and the Pacific Music Festival. As an avid chamber musician, Tseng has played music in many chambers, including a performance in Miami with the group Sodam and the All-Stars, of which he is a founding member. He also spent two years in Miami Beach as a fellow with the New World Symphony. Tseng has also had the privilege of performing with other ensembles such as the Chicago Symphony Orchestra and the San Diego Symphony.
 
Tseng began his musical studies at age 5 on the piano and was a student of the Piano Pedagogy Laboratory Program at the University of Michigan, where he worked with Kelley Benson. He later pursued viola under the instruction of Patricia Pats Gurin. Tseng completed his undergraduate studies in the Boston area as part of the dual degree program between Tufts University and New England Conservatory. There he studied with Martha Katz and received a Bachelor of Music and a Bachelor of Arts in Biology with a minor in Mathematics. He subsequently earned his master’s degree from the Indiana University Jacobs School of Music, where he studied with Edward Gazouleas, and served as an Associate Instructor in music theory.
 
When not playing the viola, Tseng enjoys attempting to cook, bake, and make drinks, and also spending time with his husband Kevin Fitzgerald and their lovely two senior dogs Chipper and Bennie.

Kurt Tseng at Worcester Art Museum

Photo Credit: Amy Olson's Wedding Photographer

tl;dr

Originally from Michigan, Kurt Tseng joined the North Carolina Symphony in 2020 as Associate Principal Viola. He completed his master’s degree at Indiana University Jacobs School of Music and his bachelor’s at Tufts University and the New England Conservatory. His past teachers and mentors include Martha Katz, Ed Gazouleas, Patricia Pats Gurin, and Kelley Benson.

Media

MEDIA

video

Fantasy No. 3 (Based on Music from Pique Dame)

Fantasy No. 3 (Based on Music from Pique Dame)
Fantasy No. 3 (Based on Music from Pique Dame)

Fantasy No. 3 (Based on Music from Pique Dame)

14:52
Fantasy No. 2, Op. 2 No. 1

Fantasy No. 2, Op. 2 No. 1

13:56
Fantasy based on Themes from Rusalka

Fantasy based on Themes from Rusalka

10:18
Yesterday

Yesterday

02:19

audio

Works

WORKS

All You Need is a Total Eclipse (2023) - 3 Violins (approx. 3:00)

This arrangement came about when a chamber group I was coaching needed a short "love-themed" piece to play for their Valentine's Day concert. Completed in less than a week, it is essentially a love ballad about love ballads.

Fantasy No. 4 (2022) - Violin, 2 Violas, and 2 Cellos (approx. 15:00)

Inspiration drawn from music from George Gershwin's Porgy and Bess, Kristin Kuster's A Thousand Acres, and Benjamin Britten's A Midsummer Night's Dream, to name a few.

Fantasy No. 3 (Based on Themes from Pique Dame) (2021) - Violin, 2 Violas, and Cello (approx. 15:00)

The main opera of interest for this fantasy is Pyotr Ilyich Tchaikovsky's The Queen of Spades (Pique Dame), influenced by the worlds of Jean-Philippe Rameau's Platée and Stephen Sondheim's Sweeney Todd.

Fantasy No. 2, Op. 2 No. 1 (2019) - Flute, Violin, and 2 Violas (approx. 15:00)

Continuing the one-time tradition, this piece centers around music from Giacomo Puccini's La bohème, with many references to Leonard Bernstein's Candide and Alban Berg's Wozzeck.

 

Fantasy Based on Themes from Rusalka (2018) - 2 Violins and 2 Violas (approx. 10:00)

Originally intended as a musical joke, this fantasy became the first of many inspired by the operas performed within a season at the Des Moines Metro Opera company and performed on the DMMO Orchestra's Chamber Music Concert. As the title clearly states, the bulk of material is drawn from Antonín Dvořák's Rusalka, with hints of Johann Strauss II's Die Fledermaus and Jonathan Dove's Flight.

Pop Medley (2017) - Violin, 4 Violas, and Double Bass (approx. 6:00)

A mashup of Viva la Vida (Coldplay) and Titanium (David Guetta ft. Sia). Premiered 2017 in Miami, FL, by my favorite group of all times:
Sodam and the All-Stars.

Yesterday (arr. Kurt Tseng) (2015) - 4 Violas (with optional Violin and Double Bass) (approx. 2:30)

My first attempt at arranging, performed by friends and colleagues of mine while at Indiana University.

Schedule

SCHEDULE

UPCOMING

  • Wed 08 Oct
    Carol Woods
    08 Oct 2025, 19:30 – 21:00
    Carol Woods, 750 Weaver Dairy Rd, Chapel Hill, NC 27514, USA
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PAST EVENTS

  • Sun 21 Sept
    The ArtsCenter
    21 Sept 2025, 16:00 – 17:30
    The ArtsCenter, 400 Roberson St, Carrboro, NC 27510, USA
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  • Mon 08 Sept
    Holy Trinity Lutheran Church
    08 Sept 2025, 19:00 – 20:30
    Holy Trinity Lutheran Church, 2723 Clark Ave, Raleigh, NC 27607, USA
    A recital featuring works by Schumann, Hindemith and Brahms. Schumann: Adagio and Allegro Hindemith: Sonata for Solo Viola, Op. 31 No. 4 Brahms: Sonata in E-Flat Major, Op. 120 No. 2
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  • Sun 07 Sept
    First Presbyterian Church
    07 Sept 2025, 16:00 – 17:30
    First Presbyterian Church, 400 New St, New Bern, NC 28560, USA
    A program of works by Franz Joseph Haydn, featuring organist Daniel Sansone. Pieces for Mechanical Clock (arr. for Organ) String Quartet in D major, Op. 64 No. 5 (Hob. III:63) Organ Concerto in C Major (Hob. XVIII:10) Jeanine Wynton, violin Jessica Ryou, violin Kurt Tseng, viola Peng Li, cello
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  • Multiple Dates
    Sat 12 Apr
    12 Apr 2025, 19:00 – 19:30
    Raleigh, 2 E South St, Raleigh, NC 27601, USA
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  • 22 Mar 2025, 19:00 – 19:30
    Raleigh, 2 E South St, Raleigh, NC 27601, USA
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Photo Credit: Joyce Tseng

Contact

CONTACT

Please contact for lessons, coachings, composition inquiries, or performances at ktseng27@gmail.com

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KURT TSENG © 2024

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